{"version":"1.0","provider_name":"Associaci\u00f3 d\u00b4Escen\u00f2grafs de Catalunya","provider_url":"https:\/\/escenografia.org\/es\/","author_name":"Jose Ramirez","author_url":"https:\/\/escenografia.org\/es\/author\/jose\/","title":"La cultura despojada \/ Frederic Amat - Associaci\u00f3 d\u00b4Escen\u00f2grafs de Catalunya","type":"rich","width":600,"height":338,"html":"<blockquote class=\"wp-embedded-content\" data-secret=\"HQe9sjOTJK\"><a href=\"https:\/\/escenografia.org\/es\/la-cultura-despojada-frederic-amat\/\">La cultura despojada \/ Frederic Amat<\/a><\/blockquote><iframe sandbox=\"allow-scripts\" security=\"restricted\" src=\"https:\/\/escenografia.org\/es\/la-cultura-despojada-frederic-amat\/embed\/#?secret=HQe9sjOTJK\" width=\"600\" height=\"338\" title=\"\u00abLa cultura despojada \/ Frederic Amat\u00bb \u2014 Associaci\u00f3 d\u00b4Escen\u00f2grafs de Catalunya\" data-secret=\"HQe9sjOTJK\" frameborder=\"0\" marginwidth=\"0\" marginheight=\"0\" scrolling=\"no\" class=\"wp-embedded-content\"><\/iframe><script type=\"text\/javascript\">\n\/* <![CDATA[ *\/\n\/*! This file is auto-generated *\/\n!function(d,l){\"use strict\";l.querySelector&&d.addEventListener&&\"undefined\"!=typeof URL&&(d.wp=d.wp||{},d.wp.receiveEmbedMessage||(d.wp.receiveEmbedMessage=function(e){var t=e.data;if((t||t.secret||t.message||t.value)&&!\/[^a-zA-Z0-9]\/.test(t.secret)){for(var s,r,n,a=l.querySelectorAll('iframe[data-secret=\"'+t.secret+'\"]'),o=l.querySelectorAll('blockquote[data-secret=\"'+t.secret+'\"]'),c=new RegExp(\"^https?:$\",\"i\"),i=0;i<o.length;i++)o[i].style.display=\"none\";for(i=0;i<a.length;i++)s=a[i],e.source===s.contentWindow&&(s.removeAttribute(\"style\"),\"height\"===t.message?(1e3<(r=parseInt(t.value,10))?r=1e3:~~r<200&&(r=200),s.height=r):\"link\"===t.message&&(r=new URL(s.getAttribute(\"src\")),n=new URL(t.value),c.test(n.protocol))&&n.host===r.host&&l.activeElement===s&&(d.top.location.href=t.value))}},d.addEventListener(\"message\",d.wp.receiveEmbedMessage,!1),l.addEventListener(\"DOMContentLoaded\",function(){for(var e,t,s=l.querySelectorAll(\"iframe.wp-embedded-content\"),r=0;r<s.length;r++)(t=(e=s[r]).getAttribute(\"data-secret\"))||(t=Math.random().toString(36).substring(2,12),e.src+=\"#?secret=\"+t,e.setAttribute(\"data-secret\",t)),e.contentWindow.postMessage({message:\"ready\",secret:t},\"*\")},!1)))}(window,document);\n\/\/# sourceURL=https:\/\/escenografia.org\/wp-includes\/js\/wp-embed.min.js\n\/* ]]> *\/\n<\/script>\n","description":"Mucho tiempo antes de este aciago presente en el que vivimos recluidos, ya \u00e9ramos conscientes de la desatenci\u00f3n entorno al \u00e1mbito de la cultura. Suced\u00eda ante la indiferencia general, era ignorada por una gran mayor\u00eda de ciudadanos acostumbrados a no cuestionarse la austeridad presupuestaria ni el descuido hacia la cultura por parte de las instituciones [&hellip;]","thumbnail_url":"https:\/\/escenografia.org\/wp-content\/uploads\/2020\/04\/F-Amat.jpg","thumbnail_width":831,"thumbnail_height":1200}